Tez's Music Page

Our Dear Friend John Woollard who died on 25 May 2007 aged 64

Click here for more details and to see the obituary in the Yorkshire Evening Post.

Reunion After 42 Years!

Click to contact Tez

Early last year, we received an email from the original drummer of the Cherokees, Jim Green. James found us via the Star Club website and it was really good to hear from him after all this time. Jim settled in Germany in the early seventies and has been there ever since. He is married to Moni and has retired although his hobby of photography now takes up quite a bit of his time.

Naturally we were anxious to meet up and as James was coming to England for his sister's Golden Wedding anniversary on 1 April 2006, we travelled north to Leeds and met up at the home of Kathryn our daughter. Our meeting with James was great and it was just as though we had last met up only a few days before rather than over forty years ago and the time from 6pm until midnight sped by in a flash. It was an emotional parting and we hope to meet up again in the not too distant future and this time we look forward to meeting Moni, Jim's wife. Click on the link for some of Jim's photographic memorabilia.

Tez who enjoys a wide musical taste, has been a musician from an early age and a founder member of a 1960s band the Cherokees. His main interest these days is hard disk recording and sound engineering: he was assistant sound engineer on “Beyond the Ledge”, one of Fairport Convention's Cropredy videos. He has also composed incidental music for a number of documentary videos, most of which have been shown on Sky's Discovery channel. The most popular by far has been the music he did for a Sukhoi plane documentary for which he has received a great deal of very positive feedback.

During the sixties he spent a fair bit of his of time working in Germany at the Star Club (see below for more about this legendary gig), Top Ten Club and appearing on German television as well as Ready Steady Go and the lesser known Beat Room on British TV) and he met and worked with many of the now legendary names, playing with such bands as Peter Green's Fleetwood Mac, Cream, Spencer Davies, Led Zeppelin and a whole lot more. They did regular gigs at Dunstable's famous California Ballroom. In 1964 the Cherokees had a minor hit single with “Seven Golden Daffodils” (click to hear it) produced by Mickey Most and appeared in an early Michael Winner film, “You Must be Joking”. Later Mickey changed their name to New York Public Library and they had a successful single with “Ain't Gonna Eat Out My Heart Anymore", (thanks Sean for the copy). With John Woollard's death there are now no remaining founder members but the band intends to carry on gigging. so please click the link to visit the NYPL website. and take a look at Peter Morrison's personal website for some excellent detail. You can e-mail Tez.

Tez's Star Club Memories

We made five or six visits to the Star club as the Cherokees between 1963 and 1966 and we always stayed in the Hotel Pacific in St Pauli. We soon learned that the owner of the Star Club was Manfred Weislieder and as one of “his boys” we could explore the area with impunity although we were witness to a few violent scenes involving those who lacked Manfred’s protection. Hans Buchenberg (or something similar) was the manager and we were treated well.

Some of the acts/bands we played with were (in no particular order):

Tony Sheridan who was always asking us to let him get up and play with us – not on guitar but on drums. We always told him “no thank you” or words to that effect! Sam the Sham; Lee Curtis; Millie (My Boy Lollipop); Checkmates and Henry and the Road Runners from Liverpool; Spencer Davies Group; Jackie Lynton; Tony Ashton and later + Roy Dyke who together with Gardener became Ashton, Gardener and Dyke (Roy celebrated his 60th birthday on February 12 2005 at the Downtown Blues Club. Numerous buddies, among them Carl Terry (& The Cruisers), Ted "King Size" Taylor (& The Dominoes), and Brian Parrish (Londoners) brought him their musical congratulations during an other instalment of "Eine Nacht im Star-Club"); Kingsize Taylor & The Dominoes; Liver Birds; Cream; The Londoners who became The Knack with Paul Gurvitz and later, his brother Adrian. The guitarist Brian Parrish (Londoners/Knack) later went on to work with Paul Gurvitz as Parrish and Gurvitz, their career blighted by their being the next act after the Beatles to be produced by George Martin – rubbed out by the “follow that” syndrome!. The Gurvitz brothers went on to form The Gun and with Ginger Baker, became the Baker Gurvitz Army.

Please forgive the total lack of chronological order but I am absolutely useless at dates.

Our early days at the Star Club served as an excellent apprenticeship for a striving band and like many bands before and after us, we returned to England much tighter and better for our experience. There were usually about four bands during the week, doing consecutive sets between about 5pm and 3:30am. At weekends there were more, often local guys and I remember the Rattles being there one time. This regime was hard at first to get used to but with the help of a few substances we managed to survive. We played every day apart from National holidays and our stay was usually from four to six weeks. I recall the fact that there was a curfew for young people under eighteen years and at the time, the set between about 8:30 and 9:30pm was dubbed by us British bands as “Children’s’ Hour”. Ironic really, as we weren’t much more than children ourselves although we grew up very quickly in Hamburg!

I recall with affection playing with guitarist and drummer Griff & Parry (I remember their having some connection with the Big Three) At the start of this particular stint, Parry (or was it Griff!?) “Lost his crack” (the snap in his snare sound). Sad to say, he never found it and was miserable for the whole of the stay. I wonder if he ever did retrieve it!

Muff Winwood (Spencer Davies Group) was reluctant to have the band do any slow numbers and we were loud in our encouragement for them to do “Georgia”. The band thought we were sending them up and putting them in a position where they might do themselves no good with the audience who were famous for their encouragement to the bands to, “Mak show!”. However, we assured them of our honesty and pointed to the girls who worked behind the bar at the back of the club whose lantern waving (a bit like the Mexican wave made famous by football supporters) was legendary in slow songs that they liked. Muff took the risk and absolutely brought the house down when they played “Georgia” and the magnificent spectacle of the lantern waving accompaniment was a sight I shall never forget. We were honoured many times for our slow numbers with the lantern waving which was similar at the Star Club to the lighter waving after dark in pop concerts these days.

I remember standing in the wings with Eric Clapton and Jack Bruce whilst Ginger Baker remained on stage doing one of his famous drum solos. It was the time of their first album and the number was The Toad played to an absolutely packed house. Clapton and Bruce were both castigating Baker’s drumming on that occasion as “Shite, he plays like a pillock!” To us and those in the audience, Baker was brilliant and the set was totally electrifying.

Cream’s roadie asked us if we would mind his setting up the equipment for the band during our time on stage. Now this was a departure from the usual courtesy afforded to bands lower on the bill but we were happy enough for him to do it. I shall never forget playing and then looking behind at the end of our set to see a “Berlin Wall” of Marshall amps erected in no time at all at the back of the stage.

Apart from the playing, the way of life for those few short weeks is never to be forgotten: the Beer Shop – Horst , the huge gentle giant who ran it; the Mambo, Block Hut; oxtail soup between sets; big sausages; and of course, copious amounts of beer. There was English breakfast at the Seaman’s Mission and Granny’s, next door to the Beer Shop, two doors down from the Star Club, where we ate cutlets and delicious fried eggs. We never found out Granny’s age but she looked about 100.These inexpensive eating places were absolute life savers to us British bands.
I did a session on one visit, at the nearby Polydor Studios, playing guitar for Ricky Barnes and Jacky Lynton (pictured) under the name of Boots Wellington and His Rubber Band. Jacky was our first “famous friend” at the club as he had a record in the Hit Parade at the time with “Teddy Bear’s Picnic”. We struck up a firm friendship on that first visit which has lasted to this day.

I recall the British band members’ enthusiasm for a stroll down Winkel Strasse (Street of Windows), especially if it was rewarded by a glimpse of the legendary Queen! The rest is a haze but at the heart of everything was the fabulous Star Club itself and the fact that we were unaware of contributing to a legend although we knew it was all pretty important at the time. And we were not proved wrong. I was there and I wouldn’t have missed it for the world.

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